Antonella Gaeta
Rather than an afterthought in the Well, by Laura in "Moscow in the glass" takes the reader on a path that is not a matter of months but years. Why the writer but also the talented playwright Di Lauro (before personal challenge and subsequent refusal of the theater) is, first and foremost a passionate lover of good and genius of his talent. So much to write, without fear of contradiction that "Carmelo Bene is perhaps the most elite figure that the theater has ever known, theatrical, thrilling, egotism, provocative, often unnecessarily cumbersome, but nevertheless honest and consistent in his conduct art." Must act and act of love that this study is both a pleasant and useful step in the complex being not only the intellectual and artistic fields but also in the world of Salento his chums Lacan, Foucault, Klossowski, Deleuze and his fathers declared Nieztche, Kierkegaard, Stirner, Manzoni, Leopardi, Marlowe, Shakespeare. But even in the dominant sources, the decadence of structuralism. It enriches the text a shared interpretation of her controversial relationship with the disease, with the theater, with television, with the contemporary and fellow Pasolini Bodini. A very well maintained - in a general dance of writing that, if unleashed would jump wittily beniana very close to that-is that of the relationship of religion and Well with the female, still at tighten the many ganglia of thought beniano basically pigeonhole if not in full and total membership. Up at the height of the study, the evocation of Antonin Artaud, Roland Barthes defines a hapax, an element that occurs once in a text, in philology. Here, quite rightly, Carmelo Bene (aided by the new revelation warp wisely by Di Lauro) is a hapax. Of a penalty so eccentrically creative, you feel great every day absence. And these were really the right time for the Good of rifilmare illuminated, for example, Our Lady of the Turks, in which the protagonist is trying to be stupid. What better time to repeat and prolific jerks reversed the question?
Stefano di Lauro, La mosca nel bicchiere- La poetica di Carmelo Bene Icaro editore
