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Theatre and Clouds

The job of the actor

for a sentimental education

Craft practice.

There is growing attraction for crafts related to the show. Media propagation of viruses, the suggestions' success glossy 'conveyed by television formats,' provinature 'and casting disenchanted that the truth,' passionate, that seed, which generates and propagates, the fact that slow sedimentation of curiosity , sacrifice and perseverance, research and experimentation.

try on, to define the self, its style, its own language. Penalty

, strange word. Necessary word that is part of the trade, the foundation and enclosure of doing, creating. I'm talking about job because I believe that this is the condition of the actor, the dancer, singer, creator of the art. Trade, craft because it is in a position that reinforces that knowledge, the only one that gives shape to an interpreter. Artist. There is therefore a 'profession' to learn, but a training program to adhere to correspond to that impulse, that desire / need to give of themselves in the creative act, in an effort to verify and match the right talent, to 'certify' their vocation. Actors themselves, build theater, is to build practices of attention and listen, to enhance life with his urgent, damages, needs, values \u200b\u200bbeauty, wounds and opportunities. The construction going on in this theater, right in there that broke the siege of view, of not feeling comfortable, embarrassment, shame, fear. The theater

game is cathartic, lever nature of a relational process that can detect stimuli, fragments of meaning, attitudes, languages, held together, give body to action, make the scene possible, practical close to the needs of

say that motivates and makes it credible, beyond the rhetoric and affectation, beyond any coating. Yeah, to say! L 'creative act feeds of meetings, skills and vocations that choose to interact, to give themselves goals and territories. The

theater is a place that welcomes you with a summary

poetry poetry to communicate. The word, written and spoken, the floor shakes, the body flow: the poetry - complexity in 'approach with the world view of life. Place a sensitive communication and other , capable, in the attempt to ferret out the secret that experience life holds. E 'therefore necessary for the actor, dancer, singer, for the creator of art work around that threshold fleeting catharsis that makes the experience of the word, the voice heard, spoken, written. The sheet, the body, with his recall, with his take stock of practices, poetic. to the story that is always (symbolic, never abstract) of the feel of each. Poetry is a concrete act, underwear. E 'above notice. E'accoglimento of feeling, of the statement, the reveal, first of all to themselves what resonates with say, lighten that load capable of when he manages to track down birth and speech, svelante, vibrant, lyric and epic, which is easy to comfort outburst, prayer and song. why I believe we need a return to the experience of theatrical practice, such action to each individual in a profound tension choir - a group that is put to the test, along with play, experiment, research, refines it were, its unique language - capable of bringing into play the body and presence. To hear him and the chorus is open to the dynamics in the attention that the choice of staging processes, to be there Agent as a body, to action, also the feeling of the limit. Act the scene is forgetfulness of self, dépense (Carmelo Bene), is pure act, ceremony, breath and sweat. It is, above all, turn off the claim to appear, showing the beautiful, without discomfort. You become humble, close to their anxiety. It is common experience, technical assistance to the weaning of personality, which are part of vocations in the game to stage. In the group. That shares responsibility and care in doing together, attention and oversight, and critical thinking of a self that finds its abandonment in serving the creative intent, the common work, where one is because it is another.