Mauro Marino
"You do not kill with a revolver, a weapon with a pointed or cutting. It kills for lack of care. " We do not know how far they are true and realistic assumptions about the circumstances of Maria Luisa Well the death of his brother Carmelo, but something tells us that these communities are to be the last attempt by this remarkable woman to refocus attention on the figure and 'inheriting' intellectual and artistic of his brother. Maria Luisa
Good is very sweet person. The age is the delicate and the memory that lives by pushing the voice, which, restless, always show the many things she still an adventure full of emotions.
For a long time close friend and accomplice in his brother's artistic choices. Since childhood! It tells of a 'mythical' journey to Bari, in a carriage to go see the "Lohengrin" by Wagner at the Teatro Margherita, the backdrop of the theater that opens to let the sea and see the swan-boat that leaves the protagonist with the staging!
At this the two brothers were raised right! In these visions!
memory that lives is an important insight into the life of Carmelo Bene and his theater. Little has been done and continues to do little to bring up this memory! The heat
"institutional" to the future of the Master's death has produced large-load speed.
I 'supporting actors' last season in the life of CB have replaced with real ones. What
authentic Maria Luisa, who was put in the corner, forgotten, except by those who struggled to legitimize their privileged position in having to witness the greatness of what was gone.
That "lack" has remained such only in the heart of Maria Luisa. Few were close, careful listening. Luigi Santoro, Maurizio Nocera, Antonio De Carlo among the few who in recent years have kept her stretched the thread of memory. The rest
distracted, in pursuit of who knows what cost. The rush of appearing
revealed all its approximation: the idea that "politics" could make a strong shoulder and legitimizing the construction of the Foundation is now sunk, out of cowardice and incompetence.
The cowardice of the policy despite the promises made have not been able or unwilling to maintain them. So a foundation of which was de facto partner of the City of Otranto, the Province of Lecce and the Puglia region immediately found itself having to deal with the absence of those for 'jealousy' policy was no longer in the game. There was Raffaele Fitto, next to the master, dressed in white in one of his last performance of Otranto, then there is no state! It was uncomfortable in the company of all that intellectual honey? He did not like the theater? He thought it was done more to remind, protect, enhance and maintain the great heritage?
As there was no one left!
Swept dall'approximation incompetence and of those who had initiated the creation of the Foundation course without taking into account the existence a wife and a daughter, and only legitimate heirs to what belonged to Carmelo Bene, Carmelo Bene to what he created. Back
as an omen the vision of the swan that runs on the sea of \u200b\u200bBari!
Wagner wrote Lohengrin to see the prototype of the modern artist - a shadow of himself - subject to a fate of loneliness and misunderstanding on the part of the world around them. So it was for Carmelo Bene! There is nothing left but to interpret the words of Maria Luisa note: "You shall not kill with a revolver, a weapon with a pointed or cutting. It also kills due to lack of care ", affection, caring, dedication add us! It
kills once and continue to kill, to cancel, to confuse memory with lies, you continue to betray what he has just had and still has need of love!
